Cook, Because You Despise Me , a gay-themed thriller about an American man who runs a Moroccan brothel where a Nazi officer has recently been murdered, the French police officer who dares not reveal his love for the American, and a sadistic Nazi who comes to Morocco searching for a Resistance leader.
Lander Duncan, Children of Secrets , about a black war hero, his beautiful mixed-race wife, and the violent racial prejudice he returns to at the end of the war; self-published. Tony Earley, The Blue Star , about a teenager in a small North Carolina town who falls in love with a girl obligated to marry her landlord's son, a boy serving in the Navy and stationed at Pearl Harbor on the eve of the attack.
World War II U.S. Homefront
Norman G. Gautreau, Sea Room , about a boy in Maine whose father, a lobster fisherman, goes away to serve as an army medic, leaving the family to face numerous challenges. Gloria Goldreich, That Year of Our War , about a Jewish American teenager who goes to live with relatives in New York City after her mother dies while her father is serving in the military.
Elizabeth Graver, The End of the Point , about the upsetting events during a family's stay at their summer house on the Massachusetts coast in as the U. Louisa Hall, Trinity , about the brilliant scientist and developer of the atomic bomb, Robert Oppenheimer, from the perspective of seven fictional characters.
Brief Critique. Kristina McMorris, Letters from Home , about three young Midwestern women, one of whom begins writing love letters to a serviceman overseas on behalf of her friend, and then begins falling in love with him herself. TaraShea Nesbit, The Wives of Los Alamos , about the woman married to the men who developed the atom bomb in such absolute secrecy during World War II that they could not reveal the town they lived in.
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Howard Norman, What is Left the Daughter , about a seventeen-year-old Canadian who moves in with his aunt and uncle and falls in love with his cousin, who in turn falls in love with a German student, a romance complicated by World War II. Review or Author Interview. Review at The New York Times. Marta Perry, The Forgiven , historical romance about a present-day Amish widow and the Amish woman whose WWII-era diary she discovers, which helps give her the courage to move on; 1 in a planned series.
Rhonda Riley, The Enchanted Life of Adam Hope , magical realism about a seventeen-year-old North Carolina girl who falls in love with a supernatural being she finds partially buried on her family's farm. Don Robertson, The Greatest Thing Since Sliced Bread , about a nine-year-old Cleveland boy who sets out to visit a friend, towing his sister along in a red wagon, on the day in when a disastrous gas explosion is about to occur.
Philip Roth, Nemesis , about a young man whose weak eyes have kept him out of the army, and who works as a playground director during a polio epidemic in Newark, New Jersey, in the summer of Dana Sachs, The Secret of the Nightingale Palace , about a woman's year-old grandmother and her recollections of life in San Francisco during WWII, when she agrees to keep a portfolio of valuable Japanese prints safe during a friend's internment, as she begins a career in the fashion industry. Sarah R.
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Alan Simon, Thanksgiving, , about a Pittsburgh family's Thanksgiving celebration in as the daughter dreams of fame in Hollywood and the sons come home on furlough from their Air Force training; 2 in the Coleman Family Saga; self-published. Sylvia Dickey Smith, A War of Her Own , about a woman in Orange, Texas, who gets a job as a riveter in a shipyard in after her husband leaves her for another woman. Kathleen Spivack, Unspeakable Things , creepy magical realism about intellectuals and musicians in New York City's European refugee community in the early s.
The narrative provides multiple accounts of the event, and readers learn details through the point of view of a Union soldier, a Confederate captain, and a Washington newspaper reporter. The text offers opportunities to compare and contrast various perspectives in the text while gathering and analyzing information about an historical event. Creation of the U. The narrative provides multiple accounts of the event, and readers learn details through the point of view of a serving girl at a Pennsylvania boardinghouse, a law clerk in the state of Virginia, and an apprentice printer.
The narrative provides multiple accounts of the event, and readers learn details through the point of view of a government worker, a Civilian Conservation Corps worker, and a young daughter of an unemployed banker.
The narrative provides multiple accounts of the event, and readers learn details through the point of view of a fireman fighting fires and rescuing others, a girl whose home is destroyed, and a resident of Chinatown. The narrative provides multiple accounts of the event, and readers learn details through the point of view of a teenage girl worker, a New York socialite, and a responding fireman. Add Checked Items to Cart.
Sign in. About Us Our History. Help Contact us Meet Our Team! They could also wear the war effort because of restrictions on fabric for clothing. While escapism defined much of the entertainment produced in the s, the war provided subject matter galore. Canadian comic books enjoyed a brief period of popularity as competitive American publications were frozen out of the market. The most successful of these, Johnny Canuck , appeared in but did not survive the war years.
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Hollywood movies had all but completely superseded vaudeville by ; feature films and short generally cheaply made serials were an important means of transmitting anti-German and anti-Japanese sentiment. They sometimes featured Canadian characters usually played by Americans so as to give American audiences a sense of the role played by allies. The war-thriller, Northern Pursuit , featured the great matinee idol and action actor, Errol Flynn, portraying a Mountie who captures German saboteurs determined to disrupt Canadian-American supply lines.
What is noteworthy about this film is that Flynn plays a German-Canadian whose ethnicity draws the suspicion of his RCMP colleagues until his loyalty to Canada is made clear. Radio was, in the s and s, at its peak as an electronic media.
The presence of the CBC at this time provided another — government-controlled — means of being bombarded with news about the war and further demands for personal sacrifice. Many of these media traded in fear as a means of whipping up support for the war. Routine precautions — training children on the east and west coast on what to expect in the event of a surprise German or Japanese attack, or the mandatory use of black-out blinds and headlamp covers so as to confuse aerial scouts from Japan — added to the sense that there was real danger nearby and not only on the war front.
In a multitude of ways, then, the Second World War certainly felt more like a total war. It was impossible to avoid news, film, rationing, restrictions, admonitions, salvage drives, calls for volunteers, and requests for more Victory Bonds. Canadians experienced it with a mixture of emotions, though, including grateful relief that the Depression years were finally over although fearful they might return.
Full employment — even at a time of rationing and very little in the way of consumer goods to purchase — was a good thing.
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